installation

(Dé)construction colorée est à l’échelle d’un quartier comme celui de la Défense un geste symbolique. Le dessin de la tour, qui fonctionne a priori par succession de plans horizontaux, est ici renversé sur un axe vertical.

par Alexis Jakubowicz et Mengzhi Zheng

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The last appointment with Las Italias is starring Paolo Parisi. His research, his works, the approach to the view - we may say the perception of the world - have focused almost obsessively on painting. Yet, to understand them thoroughly, we must ask ourselves questions about the terms of the existence and the contemporary purpose of painting.

par Paolo Parisi et Susanna Crispino

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L’ultimo appuntamento con Las Italias ha per protagonista Paolo Parisi. La sua ricerca, i suoi lavori, l’approccio alla visione - potremmo dire la percezione del mondo - sono incentrati in maniera quasi ossessiva sulla pittura. Eppure, per comprenderli fino in fondo, occorre interrogarsi sui termini dell’esistenza e sulla funzione contemporanea della Pittura.

par Paolo Parisi et Susanna Crispino

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Nelya and Roman Korzhovs’ exhibition “Next – nothing”. Samara Art-center, September, 25, 2014 – October, 5, 2014.

Konstantin Zatsepin, exhibition curator

par Konstantin Zatsepin et Nelya and Roman Korzhovs

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Las Italias hosts for its tenth issue the complex imagery of Salvatore Arancio, where myth and science, form and substance are never what they seem.

par Salvatore Arancio et Susanna Crispino

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Las Italias ospita per la decima uscita il complesso immaginario di Salvatore Arancio, in cui mito e scienza, forma e sostanza non sono mai quello che sembrano.

par Salvatore Arancio et Susanna Crispino

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Texts, actions, videos, happenings and ethical commitment : in its seventh appointment Las Italias faces Marco Vaglieri.

par Marco Vaglieri et Susanna Crispino

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Testi, azioni, video, happening ed impegno etico : per il suo settimo appuntamento Las Italias si confronta con Marco Vaglieri.

par Marco Vaglieri et Susanna Crispino

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Mon travail de peinture et d’installation s’articule selon deux axes : œuvres in situ et pièces autonomes. Il est souvent mis en lien et élaboré dans un espace ou avec un environnement donnés.

par Soizic Stokvis

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One of Vincent Rusciano’s qualities is story-telling. His works tell stories. Biographical fragments, such as the tale of a quite shy boy from the suburbs who gets in touch with the Gotha of art almost by accident. Or collective events, such as the struggle to bring to light the traces of a past that is never completely rediscovered.

par Susanna Crispino et Vincenzo Rusciano

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